Ólafur Arnalds played Benaroya Hall with Nils Frahm at the Decibel Festival in 2013. He was well received.
“I love tickets!” squeals Cameron Diaz’s character in the first Charlie’s Angels movie. (And why has no one ever made a gif of that?) It’s supposed to illustrate what an eccentric character she is, but I understand completely. I love tickets. And spring is ticket season. Season-ticket season, to be precise. All of the arts organizations announce their upcoming seasons, tickets go on sale, and I spend hours each spring planning what I will be doing on Saturday nights all next winter. I’ve already written about next season’s offerings at Seattle Opera and Pacific Northwest Ballet. Now let’s talk about Seattle’s best theater.
In March, most of my work involved endless revisions of technical documentation only a solid waste engineer could love. It’s good money and flexes writing muscles I don’t often use anymore, but I don’t think most of you are solid waste engineers, so I’m not going to share any of that here. But as I reviewed my work flow spreadsheets and invoices for the month of March, I was pleased to see that my output of charming web-based articles continued apace, and was reminded that I got to write about some pretty interesting stuff. Read More