We interrupt our regularly scheduled wordiness to bring you this: Read More
After (not) seeing the first two bands at Studio Seven, I knew that I couldn’t just listen to Gojira when they played Studio Seven. I had to see the stage. I unloaded camera and coat on long-suffering spouse who camped against a pillar. It had been a long time since I worked my way through a crowd like that, so I was out of practice with the “This small girl pushing past you is so harmless you’ve already forgotten her,” mind trick. Plus, the Gojira fans were notably protective of their space. I made it as far as the next pillar before a group of very tall guys blocked my way. Currents of aggression swirled through the crowd. Read More
Far more interesting than my usual navel-gazing posts are the interviews I had with Icelandic musicians who are among the most intelligent, interesting, and entertaining people I have ever met. I left every interview with a better understanding of not only their music, but of music in general.
Earlier I listed some of these interviews. At the time I was still working on more, each of which, in one way or another, posed some kind of writerly challenge. Even though my mistakes are perhaps more apparent here than on the first batch, I hope you get more from these interviews than just my lessons-learned. There is some great music here. Read More
I saw Ásgeir Trausti four times at Airwaves this year. Add the Reykjavík Calling show in Seattle, and I’ve seen him play five times. With the possible exception of my boyfriend’s band in college, I think that’s the most times I’ve seen any musician. Obviously, I really liked Ásgeir Trausti’s debut album Dýrð Í Dauðaþögn (Glory in Dead Silence). But it’s not like I set out to see as many Ásgeir Trausti sets as possible. It’s not like I was stalking Ásgeir Trausti. Read More