Tag Archive Seattle Opera

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Marcy Stonikas in Recital at Seattle Opera is a Snack

Coming from the extremely privileged position of someone who has only ever been exposed to opera through live performances of full productions by one of the country’s top opera companies in one of the world’s best acoustically-engineered opera houses, I’m surprised by how much I’ve been enjoying the virtual fall opera season. I’m getting new perspectives on the music and the performers. And it’s no substitute for dressing up and going out, but there is a certain pleasure to be had in experiencing opera curled up on the couch in your PJs with a cocktail in hand. I most recently enjoyed that experience with Seattle Opera’s release of Marcy Stonikas in Recital.

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Frederick Ballentine in Recital at Seattle Opera

This year, for the first time since I aged out of the Bravo Club, I bought season tickets to the opera. The season is one unlike any other ever programmed by Seattle Opera – or any other opera company for that matter. Seattle Opera’s Fall 2020 season is entirely online. It kicked off with a semi-staged performance of Cavalleria rusticana highlights (available online by subscription through October 16). Last weekend they posted the second event, a recital by Frederick Ballentine.

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Cavalleria Rusticana Highlights

After missing most of Seattle Opera’s online programming this summer, I bought season tickets to make sure I don’t miss out this fall. Even though the season only runs through the end of the year, it contains more opera than a regular full season. Only it’s all online. The first “performance” was a highlights recital of Cavalleria rusticana. Based on the plot summary, I had my doubts about Cavalleria rusticana, but I know that beautiful music and the pageantry of live performances matter more than plot in opera. But how would it hold up without the spectacle of live performance?

CAVALLERIA RUSTICANA Photos copyright Thilo Beu, THEATER BONN. c/o Seattle Opera
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Seattle Opera Online Fall 2020

Over the summer, Seattle Opera did a lot of interesting online programming, but I was stupid and missed most of it because I didn’t realize the videos were only posted for a limited time. So when they posted their fall programming, I was determined not to miss out, and did something I haven’t done since I aged out of the Bravo Club – I bought season tickets. Even though the season only runs through the end of the year, it contains more opera than a regular full season. Only it’s all online.

JazzyPhoto image c/o Seattle Opera
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Charlie Parker’s Yardbird at Seattle Opera

Frederick Ballentine (plays Charlie Parker). Photo by Philip Newton c/o Seattle Opera

It was a miracle I made it to see Charlie Parker’s Yardbird at Seattle Opera at all. First of all, black operas are rarely performed by major opera companies. I didn’t have advance tickets, and on opening weekend I was home sick with a flu-like virus. I got mixed up the next weekend and showed up on the day that there wasn’t a matinee (big oof). But I finally made it for the very last performance of the run – only a few days before all big arts performances were shut down due to the pandemic. So was it worth all that effort?

Yes and no.  

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