One of the most frequent – and most valid – arguments against the contemporary relevance of classical art forms like opera and ballet is their heroine problem. Misogyny is an unfortunate and unavoidable conclusion when the canon is littered with stories whose female characters are subjected to the virgin/whore binary and who usually end up dying for love regardless of in which category they are placed.
But then I watched the Met’s stream of Norma – a bel canto exception filled with strong, complicated women. In that opera, Pollione, the male romantic lead, starts out as one of the most obnoxious men in theater, a real dick. But he repents and redeems himself with an act usually reserved for the soprano – dying for love. His character development is so unusual that it got me thinking about men in opera. Women might get short shrift, but men aren’t portrayed very nicely either. Normalizing their bad behavior is another facet of misogyny, but the fact remains – if you believe the classics, men are just dicks.
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