Philip Newton photo c/o Seattle Opera
Some people listen to opera for that one perfect high C, but my ear is not refined enough to detect the subtler wonders of the art form. I’m not ashamed to admit that I’m drawn to opera for the spectacle. Seattle Opera’s newest chamber opera, O+E, was the opposite of their over-the-top main stage productions, and as a result, I liked it even better. Even without a single baritone.
Opera: come for the pageantry, stay for the beauty.
