ByGD
We woke up early on Saturday morning in Bergen. Our entire Norway itinerary had been shaped around getting my daughter to the weekend family art workshops in the Children’s Art Museum at KODE. But first, we had to find breakfast. And in Bergen, that turned out to be harder than we expected, but in the search, we discovered another Bergen treasure, the Farmers’ Market.
ByGD
Needless to say, I’m not going anywhere for spring break this year. But last year, my then-ten-year-old daughter and I went to Norway. A chunk of our trip was dedicated to the “Norway in a Nutshell” tour. Like the Golden Circle in Iceland, it’s a roughly defined loop in the southern part of the country with a few popular tourist attractions that have been built up into “you haven’t been there if you missed this” status. I wrote about the first part of this trip within a trip earlier. Now you can read the rest of the story.
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I expected the village of Flåm to be a pit stop on our DIY Norway in a Nutshell tour. Instead, it turned out to be a vacation highlight. It’s true that the appeal is purely one of atmosphere – there’s not much going on in Flåm, and almost nothing that would count as a tourist attraction per se. Unless you believe in the concept of the destination brewery. Which I do. And Flåm has a doozy of a destination brewery in Ægir.
There are literally only about a half dozen buildings in Flåm proper, and most of them belong to Flåmsbrygga, a hotel built right on the waterfront of the fjord, just steps from the ferry terminal. Although the building exteriors are designed to evoke the great halls of Vikings (or at least their churches), the kitsch stops at the door and the hotel rooms are modern and stylish, and not even that expensive by Norwegian standards. I was tempted to stay that but an extremely tight budget (and my daughter’s infatuation with bunk beds) landed us in a cabin at the campground instead. Which was fine, because we were very happy there, and we still got to eat dinner at the hotel.
Among the cluster of Flåmsbrygga buildings is the brewery. Named Ægir after the Norse god famed for quality brewing, Ægir is one of Norway’s top craft breweries with an attached pub on the ground floor and a fancier restaurant upstairs. The décor is ski lodge meets stave church and I loved it. Although their award-winning beers are available in several Nordic countries, they do not export to the U.S., so my only chance of tasting them was at the source.
They have a huge range of beers with some seasonal rotation. The day I went there, I got a tasting flight of five beers:
Bøyla Blonde; Rallar Amber; Siv Witbier; Ægir IPA; Natt Imperial Porter
They were all good – even the beers I wouldn’t normally drink, like the porter or the blonde, were tasty. They were also obviously part of a different brewing tradition than the brew culture I live in. All of the beers were more lightly carbonated and hopped than I’m used to. This made them feel thinner, but it also allowed for more subtlety and nuance than the beer I usually down.
Being from the PNW, I’m all about the IPA, and being more familiar with IPAs, that’s what I gave the most scrutiny. The Ægir IPA was different in the ways I’ve described, but still very recognizable as an IPA. Nearly everything I drink at home uses Amarillo and Cascade hops. This beer was hopped differently, and I was surprised how much it affected the overall character of the brew. I had to ask and discovered that there were some Citra hops, which I’m familiar with, but the primary hop was an Eastern European variety. (Unfortunately, I’ve lost my notes and don’t remember which one it was.) Anyway, it was a great reminder how easy it is to get stuck in a provincial rut, and how delightful to break out of it. I had forgotten it was possible to be surprised by the flavor of IPA.
I also picked up a can of the Upstate IPA for enjoying later back at the cabin. Cold and canned, this one was familiar in flavor, although still more lightly hopped than I’m used to. And that’s fine, because even though I love them, I recognize that PNW IPAs are, objectively speaking, too heavy on the hops. That means the Ægir IPAs were actually perfectly balanced.
Food trucks have overtaken the brewpub culture where I live, so it was a delight to sit down to a real gastropub dinner. At Ægir, they offer a seasonal Viking Plank, a five-course meal served with beer pairings. The dishes are modern gastro-pub fare, but made with local, historic ingredients that would (mostly) have been familiar to the Vikings who lived in this fjord a millennium ago. The best part of this modern sensibility is that there was a vegetarian version – hallelujah!
It’s probably not worthwhile to go into too much detail about the dishes, since they change regularly (and I can’t find my notes). But to give you an idea, there was salad, vegetables, an open-faced veggie burger, cheese, and a brownie. Like a lot of stylish food, the vegetables were in such large pieces they were hard to eat. The veggie patty didn’t hold up very well as a patty, but it was delicious, and a welcome change from the Gardenburger that is literally everywhere at home. Brownies with whipped cream and strawberry on top seem to be the molten chocolate cake of Norwegian restaurants, and I’m down for it. But I’m easy. The real test was my kid. Like Mikey, she hates everything. But she chowed down on her kids’ meal of meatballs and mashed potatoes.
Okay, I don’t actually believe that any restaurant merits a special trip from the West Coast of the U.S. to Scandinavia. And unless Ægir himself brewed it, the same could be said for any beer. But if I happened to be in the neighborhood – say Bergen or Oslo, a mere 5-10 hours away, depending on traffic/train schedules – yeah, I’d make a side trip to have dinner in Flåm at the Ægir Brewery.
ByGD
A lot of people like folk museums for their down-to-earth “what life was like in the old days” approach to history. For me, the old days in question are never old enough. But when you’re traveling with a kid, the hands-on outdoor folk museum is kind of a no-brainer. Plus, the Norwegian Museum of Cultural History (Norsk Folkemuseum) in Oslo has a stave church. Since we were on Bygdøy anyway, that was enough to merit a quick visit. Little did I know they’d have to push us out the door at closing time.
The Norwegian folk museum is an open-air museum with 160 historic buildings, mostly built in the last 500 years. One exception is the Gol Stave Church, a main attraction at the museum that was built in the village of Gol sometime around 1200. There are also indoor exhibits featuring Norwegian folk costumes, folk art, church art and Sami culture. They offer hands-on activities for children, and docents in period dress demonstrate old skills and explain aspects of life in different epochs. My daughter requested participatory art experiences on our itinerary, and this sounded like the kind of museum where you might get to try working at a loom or braiding rope.
The reality of Norway’s hard divide between high season and off season with no shoulder in between meant that there were no costumed docents walking around or doing demonstrations. The majority of the buildings were locked up and only visible from the outside or, if you were tall enough, by peeking through a window. Surprisingly, running around on a sunny spring day peeking into windows had tremendous appeal to my ten-year-old. All the patience she extended to me at the Viking Ship Museum was now repaid, as she attempted to peek into every single one of the 160 historic buildings onsite.
The promised petting zoo of farm animals appeared deserted, and to my eyes, the dozens of elevated, turf-roofed farm buildings quickly blurred together. But my daughter was having a blast, stopping to photograph architectural details on nearly identical buildings and cataloguing the contents observed through dirty windows. We both found the apartment buildings where each unit was decorated in the style of a different decade entertaining. And the stave church, well, it deserves its own subheading. By the time we got to the indoor exhibits there were only a few minutes left to closing. We had to breeze past exhibits on folk art, clothing, and Sami culture. Fortunately these overlapped a lot with exhibits at our own Nordic Heritage Museum back home, so we didn’t miss too much.
You may have noticed that I am irreligious. I have to work at being open-minded enough to stay on the polite side of antireligious. I do appreciate architecture, but churches don’t usually do it for me. (Exceptions include St. Stephen’s in Vienna and the chapel at Seattle U, both of which I can appreciate for purely aesthetic reasons).
I say all this is to set up what a tremendous surprise it was to walk inside the tiny wooden Gol stave church and feel something. Yes, of course it was pretty. But there really was a special atmosphere inside that little 13th century village church. Only one other visitor entered while we were there. She stopped short just inside the door, said, “Wow,” and quickly dropped to the floor to take a picture of the roof.
Medieval cathedrals in mainland Europe awe with their immensity. But this tiny church creates the same sense of smallness inside a vast universe using a very tall, narrow space. It almost felt like standing inside a concentrated column of energy.
One of my favorite things about travel is how you’re guaranteed to have moments you’ll never forget, but they are almost never the ones you planned for. I never expected to have a spiritual moment in a church of all places. And I never thought that running around looking in the windows of old buildings would keep my 10-year-old occupied in sheer delight for a whole afternoon. I can only imagine what highs we might have achieved if all the activities I was expecting had been available. But then again, maybe the magic lay in having acres of old Norway all to ourselves.
ByGD
On our second day in Oslo, we visited the Viking Ship Museum (Vikingskipshuset) on the Bygdøy peninsula. When we planned our Norway itinerary, my daughter and I both picked a couple of must-see items that we would accomplish no matter what. The Viking Ship Museum was my first pick. I’ve been to several exhibits of authentic Viking-age artifacts, but boats are (ironically) not so mobile. So the closest I’d gotten to a real Viking ship was the Gokstad reproduction at Viking World in Iceland. Íslendingur is awesome, but the Viking Ship Museum in Oslo displays the actual Gokstad ship.
It’s worth just dedicating an entire day to museums on Bygdøy (or two, since most museums seem to only be open from 10-4 and you can’t fit them all in that window). Bygdøy is called an island, but it’s really a peninsula. You can just drive or take the bus to get there. But it’s more fun (and faster) to take the ferry from the downtown Oslo harbor.
We caught the second ferry of the day at City Hall Pier 3 (tickets were free with our Oslo Passes) and got off at the Dronningen stop. From there it was about a 10-minute walk to the museum through a quiet neighborhood of fancy houses.
The Viking Ship Museum houses three authentic Viking ships that were used to bury their wealthy owners together with the grave goods contained in the ships. The Oseberg ship is the largest of the three and arguably the finest Viking Age find (a farmer dug into it in 1903). Built in Norway around 820 A.D., the clinker-built oak ship had room for 30 oarsmen and was richly ornamented.
The Oseberg ship probably sailed along the coast and up rivers in Southern Norway before being pulled ashore to bury two high-ranking women. One was in her fifties and the other was in her seventies. They were buried on a bed in the ship, along with the richest trove of Viking era grave goods ever found. Whoever they were, at least one of them was extremely important. The grave goods include a functional sled and a highly ornamented horse cart. The Oseberg ship is also notable for being the source of most of the textile remains from the Viking age.
In 1879 two teenagers dug into “The King’s Mound” on their farm to see if there was really anything buried there. They discovered the grave of a Viking king (or an important chieftain, at least) who was buried around 900 A.D. The chieftain was not as wealthy as the Oseberg women, but his burial gifts were still extensive, including shields, small boats, and exotic animals. Compared to Oseberg, the ship is less extravagant in ornamentation, but bigger in size.
It was used for ocean voyages until the chieftain was killed in battle. (This is why they modeled Íslendingur after Gokstad instead of the more famous Oseberg.) Having walked around on its replica in Iceland made the relatively plain Gokstad ship more interesting. It was easier to imaging the ship fitted out with sails and shields, ready to cross the ocean and devastate monasteries.
A farmer found the Tune ship in 1867. It was the first Viking ship to be excavated and is still one of the best-preserved Viking ships in the world. But compared to the other two it mostly serves to illustrate just how amazing the Oseberg and Gokstad ships really are. Not only is the ship itself less complete, but the grave was plundered and the remaining goods are not in great condition.
Even though I’ve already seen a lot of Viking artifacts, the items at the Viking Ship Museum are quite unusual. There wasn’t a lot of overlap with other exhibits, so I still felt like I learned a lot – for example, I always wondered what Viking shoes looked like, and now I know. There were several documentaries on loop in the museum, including one about textiles, which was all new information for me.
A normal person with only a passing interest in the Viking age would probably be satisfied with half an hour in the museum. But I had to read every single plaque and watch every film in its entirety. We spent well over two hours there, not counting the gift ship, where many items were purchased. I have no regrets.
A Penny Saved
We visited the museum using our Oslo Passes, which more than paid for themselves on our museum-focused itinerary. But if you’re only going to visit a couple of museums, your ticket from the Viking Ship Museum grants free entry to the Historical Museum, Norway’s largest collection of historical artifacts, including Viking treasures, Egyptian mummies and a multitude of ethnographic exhibitions, within 48 hours.