Alejandro Cerrudo – Page 2 – Gemma D. Alexander

Pacific Northwest Ballet soloist Price Suddarth in Alejandro Cerrudo’s Little mortal jump, which PNB is presenting as part of EMERGENCE, April 13 – 22, 2018. Photo © Angela Sterling.

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Alejandro Cerrudo, Little mortal jump, Pacific Northwest Ballet

Little Mortal Jump at Pacific Northwest Ballet

PNB soloist Price Suddarth in Alejandro Cerrudo’s Little mortal jump, 2018. Photo © Angela Sterling.

It’s been a few days now and I’m still thinking about Little mortal jump, the opening piece in the Emergence mixed-rep ballet I saw at Pacific Northwest Ballet last weekend. That’s odd, because it wasn’t the first time I’ve seen it. When I look back at what I wrote then, it’s obvious that I liked it. But somehow that first viewing faded in my memory and I completely had the wrong idea about it going in for the second view. Read More

Pacific Northwest Ballet company dancers in Crystal Pite’s Emergence, which PNB is presenting as part of a mixed rep with two other works, April 13 – 22, 2018. Photo © Angela Sterling.

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Alejandro Cerrudo, Crystal Pite, Emergence, Little mortal jump, mixed rep, Noelani Pantastico, Pacific Northwest Ballet, RakU, Yuri Possokhov

Emergence Mixed Rep at Pacific Northwest Ballet

The ballet has left me breathless before, but breathless and speechless? That’s new. There is so much to say about the current mixed rep at Pacific Northwest Ballet, Emergence, that I’m paralyzed before I begin. The title comes from the final piece in the rep, Crystal Pite’s Emergence. It’s an audience favorite capping off Little Mortal Jump and the Seattle premiere of RakU. I always go on about how Director’s Choice is the best rep of the season, but this one is so powerful. I wanted to go to the artist Q&A after the performance, but I was too wiped out and had to go straight home. Emergence left me exhausted and wrung out, like I had been through something. But in a good way. Mostly. Anyway, it felt more like an experience than a performance. Read More

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Alejandro Cerrudo, Director's Choice, Justin Peck, Little mortal jump, Pacific Northwest Ballet, Paul Gibson, Rush, Year of the Rabbit

Omakase at Pacific Northwest Ballet

Omakase, written with the character for trust, is the word you use when you order chef’s choice at a sushi restaurant. It shows that you trust the skill of the chef to know better than you what is in season and what will taste best together. When you say omakase, instead of giving an order, you are trusting the chef to create the best experience for you, like a DJ controlling the atmosphere of a party by selecting the right beats. You are likely to be served dishes outside of your comfort zone, and while you might not like all of them, a good chef will create a more delicious and memorable meal than you could have selected for yourself.

Each spring, Pacific Northwest Ballet’s Director’s Choice program is ballet omakase. The mixed rep program is Director Peter Boal’s opportunity to express his own taste and to stretch the audience and the dancers with dances that are more challenging or unusual than the regular season fare. Read More

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Alejandro Cerrudo, Director's Choice, James Moore, Karla Korbes, Kiss, Matthew Renko, Memory Glow, Molissa Fenley, Pacific Northwest Ballet, State of Darkness, Susan Marshall, Susan Stroman, Take Five, Take Five ... More or Less

Fluid Dynamics at PNB’s 2014 Director’s Choice

In one episode of the Curious George cartoon, the man in the yellow hat says, “Magnetism is my favorite invisible force!” My family loved that line and we’ve found a surprising number of opportunities to use it in real life. At the 2014 Director’s Choice program last weekend, Pacific Northwest Ballet made a convincing argument for some of the others – and I’m not talking about gravity. Read More

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Tag Archive Alejandro Cerrudo

Little Mortal Jump at Pacific Northwest Ballet

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Emergence Mixed Rep at Pacific Northwest Ballet

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Fluid Dynamics at PNB’s 2014 Director’s Choice

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