Music I Liked – Zeal and Ardor, Kinski, Doppelgangaz, Jean Grae and Chris Quelle, Thrainn Hjalmarsson

Zeal and Ardor

The holiday season is glutted with year-end best-of lists. They are a great way to find music you missed, but this year I skipped most of them. One I did read was Bandcamp’s list of best metal, where I rediscovered Zeal and Ardor‘s Stranger Fruit. I liked it when I first heard it in June, and I liked it again in December.

Kinski

I’ve already forgotten how I came to listen to Be Gentle with the Warm Turtle by Seattle band Kinski. It ranges from catchy indie riffage to a weird, sometimes abrasive take on post-rock. But even as a fan, I acknowledge that most post-rock sounds the same. This music doesn’t sound like anything else. Despite being light on the vocals, it’s not an album for the background while working on something else. The Warm Turtle demands attentive listening.

Doppelgangaz

Here’s something I don’t think I’ve heard before – an instrumental album produced by rappers. Beats for Brothels Vol. 4 by New York’s Doppelgangaz immediately grabbed my attention and held on through an entire album of eccentric, engaging beats. No wonder it was Bandcamp’s Album of the Day.

Jean Grae and Quelle Chris

Another Bandcamp find, Jean Grae and Quelle Chris are apparently independent producers who decided in 2018 to get married and put out an album together. I haven’t heard their solo stuff. But the quirky album they made together, Everything’s Fine, is just oddball enough to raise an eyebrow without sliding into kitsch. It’s full of pop culture and auditory references but it’s a little too surreal to be derivative. Everything’s Fine is evidence to support the truism that genius and madness are closely related.

Thrainn Hjalmarsson

Okay, if I’m being totally honest, I didn’t love Thrainn Hjalmarsson‘s album Influence of buildings on musical tone. Like a lot of contemporary classical music, its sounds are abrasive enough to be off-putting (this from a metal fan). But I try to keep tabs on contemporary classical Icelandic artists (now I really sound like a metal nerd). I love the album’s high concept interpretation of a 1927 essay about – you guessed it – architecture. From the Bandcamp article:

The sounds found here approximate the sonic properties of a traditional Iceland turf house, with harmonic-laced arco lines, some bristling with dissonance, others snaking in the upper registers, engaged in an exploration of a confined space.

Bandcamp, The Best Contemporary Classical Albums of 2018

Add to that a who’s who of classical Icelandic musicians performing on the album, and you’ve got me hooked.