Category Archive Seattle

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Youth Odyssey


This is turning into my winter of opera. First I was surprised to find The (R)evolution of Steve Jobs is not only a good opera, but also an enjoyable one and ended up buying tickets to see it again. Then I discovered the same thing about Seattle Opera’s youth performance Ulysses.

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What is the Director’s Choice This Year?

Pacific Northwest Ballet soloist Leta Biasucci (center), with corps de ballet dancers Sarah-Gabrielle Ryan and Ryan Cardea in the world premiere of Ezra Thomson’s The Perpetual State, which PNB is presenting as part of DIRECTOR’S CHOICE, March 16 – 25, 2018. Photo © Angela Sterling.

Director’s Choice is always a Pacific Northwest Ballet season highlight for me. This year, it comes in the middle of a visit from out-of-town family, but they won’t miss me if I disappear for one night. And yes, I’m trying to convince them to join me. Since I’m making the argument in favor of this innovative program anyway, I might as well share it here.

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All Ages Opera


Seattle Opera's 2018 youth opera for families, Robin Hood. Jacob Lucas photo c/o Seattle Opera

Expensive tickets, long run times, foreign languages, and a reputation for elitism – not to mention a propensity for wildly inappropriate story lines – makes opera a hard sell for families. Seattle area families have an advantage, though. The Youth Opera Project’s affordable opera designed expressly for children and families is a great way to test the opera waters.

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Steve Jobs and the (R)evolution of Opera


Seattle Opera  Steve Job's [R]Evolution Dress Rehearsal McCaw Hall

I was skeptical when I first saw Seattle Opera’s 2018/19 season. An opera about Steve Jobs? Then, when I read more about it, I became curious. I expected it to spark many conversations. What I did not expect was to actually like it. But The (R)evolution of Steve Jobs was a really good opera.

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Why I’m Looking Forward to the (R)evolution of Steve Jobs at Seattle Opera


The (R)evolution of Steve Jobs, Feb. 23-March 9, 2019, before heading to San Francisco Opera. The remarkable creative team includes Mark Campbell, the librettist who wrote As One, which Seattle Opera produced in 2016, and composer Mason Bates. Photo © Ken Howard for Santa Fe Opera, 2017.

In all honesty, I wasn’t super-impressed last year when the current Seattle Opera season was announced. I didn’t want to see Turn of the Screw, and I was on the fence about the upcoming (R)evolution of Steve Jobs. I was kind of curious about it but suspected I wouldn’t like it. Now I’m actually excited to it see it. Here’s why.

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