People like to pretend that seasons and weather have no impact on our modern, urban lives. Despite climate-controlled offices where America indulges its addiction to workaholism and despite the encroachment of year-round schooling, that attitude is completely false. Read More
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Unseasonably Opera
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Wagner Ladles Crazysauce in The Flying Dutchman
Alfred Walker (The Dutchman) photo by Philip Newton c/o Seattle Opera
Opera is about so much more than the story – it’s the entire theatrical experience: sets, costumes, voices, music, emotion. But me, I’m about the story. And the story of The Flying Dutchman is pure Smart Bitches F+ crazysauce. In other words, delightful.
If you are, as I was before attending Seattle Opera’s production of The Flying Dutchman, unfamiliar with the story, let me explain. No, there is too much. Let me sum up. Read More
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Ticket Season – Part One, Seattle Opera
“I love tickets!” squeals Cameron Diaz’s character in the first Charlie’s Angels movie. (And why has no one ever made a gif of that?) It’s supposed to illustrate what an eccentric character she is, but I understand completely. I love tickets. And spring is ticket season. Season-ticket season, to be precise. All of the arts organizations announce their upcoming seasons, tickets go on sale, and I spend hours each spring planning what I will be doing on Saturday nights all next winter. Case in point: Seattle Opera.
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Maria Stuarda and other Powerful Women
Joyce El-Khoury (Mary Stuart), Michael Todd Simpson (Cecil) and Keri Alkema (Elizabeth I). Jacob Lucas photo c/o Seattle Opera
I always feel a little sorry for Donizetti. He’s like a low-ranking player in the NBA – easily better at his game than anyone you’ve ever met, but forever overshadowed by his more talented peers. Donizetti worked in the first half of the 19th century and a handful of his operas are still performed today. That’s pretty good. But he’s still not as famous as the other big bel canto composers, Verdi, Rossini, and Puccini, and with good reason. His canto is bel, but to my ear, feels a little … predictable? Formulaic? But Donizetti has one advantage over his peers – an interest in powerful women.
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Tosca Talk
How much should an audience member prepare for a performance? Some of my best memories come from the shows I stumbled into blindly only to be completely blown away. But most of the time, concerts are more fun when you already know the music. It’s no fun to see a David Mamet play without some idea of what you are in for. {2018 Update: It’s no fun to see a David Mamet play.}
Anyone who attends The Marriage of Figaro, as I once did, without knowing the song made famous by Bugs Bunny is actually in The Barber of Seville will be sorely disappointed. In theory, I like to be prepared, but I don’t always find the time for research ahead of time. Read More