Category Archive Music I Like

ByGD

Music I Like – Summer Jams

Music writers love to proclaim “This year’s summer jam.” My summer jams tend to repeat from year to year (cough*Allman Brothers* cough). Just like some music begs for cold wind and drizzling rain, there is no denying that some music just seems more at home in the sunshine with the smell of sunscreen and the taste of beer. I usually listen to the former, but now that summer is officially over, here are a few of the latter that I like.

Chris Forsyth

Chris Forsyth‘s vocals occasionally veer unfortunately close to Kurt Vile territory, but it’s okay. Because most tracks on All Time Present the guitar has that Allman Brothers at the Fillmore vibe that makes everything okay. While on “Dream Song” it sounds like Cowboy Bebop on a hot desert afternoon where nothing is okay. I’m a fan.

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Vampire Weekend

Vampire Weekend are none of the things I usually look for in a band, but I love everything they’ve done. December drinkers of horchata Vampire Weekend have always got a summery sound. And even though it’s usually winter at my house, they never drop out of high rotation. Even a wedding-themed double album doesn’t dampen my enthusiasm.

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Alex Lahey

Australian Alex Lahey released her hooky sophomore album in May. That’s autumn where she lives, but these sun-drenched pop songs are bright and energetic enough to make even me want to hit the beach. Bonus points for unironic use of sax.

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Death and Vanilla

Death and Vanilla sounds like the name of a drizzly day band, but Are You a Dreamer sounds like the starbursts of light behind your eyelids when you look into the sun.

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Young Guv

Young Guv II by Young Guv is just the kind of laid back jangly punk pop that says, “Summer Jams.” It doesn’t work too hard, and you shouldn’t either. Just enjoy.

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Mr. Silla

I saw Mr. Silla at Iceland Airwaves in 2012. They didn’t have an album out yet. I waited and waited and eventually forgot about them. Then Grapevine featured the video for their new single “Naruto (say you wanna run away)” in advance of the release of the album Hands on Hands. It’s a summery escapist dream. My favorite season may be autumn, but sometimes when the day starts to shrink and my feet haven’t quite adjusted to boots instead of sandals yet, even I want to run away chasing eternal summer.

ByGD

Music I Like – Epically Atmospheric

Some people listen to music for the beats, others for the melody. Some people like to sing along. Apparently, I go for atmosphere. Here are some bands I really like – mostly metal – that take atmosphere to epic levels.

Ultar

Usually I listen to a track by the band while I type up their blurb. But every time put on Ultar, I forget to stop listening and move on to the next band. And every time I do, my husband walks by my office and says, “Ooh, who’s this?” Often bands write atmospheric passages that abruptly shift to more traditional black metal. Ultar does both beautifully, but the real magic on Pantheon MMXIX (that’s Pantheon 2019, BTW) is in how you almost don’t notice the transitions.

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Vous Autres

One problem with writing about music is that the same descriptors work for a great many bands that don’t actually sound the same. Words like majestic, beautiful, mystical or intense apply as much to other bands in this post as they do to Vous Autres. But Champ du Sang is the only album that drew my 10-year-old into my office with her biggest anime smile. “Pretty!” she declared with two thumbs up.

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Droneflower

A dream-folk singer-songwriter and heavy metal shredder? As my teen would say, “I ship it!” And what a beautiful ‘ship it makes in Droneflower, the collaboration between Marissa Nadler and Stephen Brodsky. Not nearly as heavy as other albums on this list, Droneflower nevertheless transports you just as effectively to a dark and mysterious place buffeted by chill winds.

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Nightgrave

There is an atmosphere of majestic beauty and also danger in both post-rock and in black metal, so I guess I shouldn’t be surprised by hearing them combined in Nightgrave. With “atmospheric” right there in the title of their album IX: True Death Atmospherics, it’s not like they’re trying to surprise anyone. Not to mention that I was already following the band’s page on Bandcamp when they released it. But you never really expect to be caught up in an album like this. I think I could live here, if it weren’t the soundtrack for the end of all things.

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Wear Your Wounds

I don’t really listen to Converge, so I had no particular interest in this side project by Jacob Bannon. Wear Your Wounds popped up in a blog post somewhere, and I idly listened to an embed, and I really liked it. I probably should have put it in my Dark Moods post, but it’s too late for that, so I’m going to file it under atmospheric. Any way, I love the how the dark atmosphere, dragged down by intentionally sluggish pacing, acts like an anchor to the seriously old school trad metal guitar that sometimes borders on classical. It feels like the guitar solos on the title track Rust on the Gates of Heaven are soaring above the song, straining against that rhythm anchor.

ByGD

Eclectic Music I Like

I used to write random Music I Like posts that included whatever I discovered each week. Then I started thinking of themes and started draft posts for each idea, dropping bands in until I had enough to publish. I like having themes, but with more than 20 draft music posts going at any given time, I still find music I like that doesn’t really fit with any categories I have in mind. Sometimes I just want to share my latest finds. So here’s an eclectic collection of music I like.

Lo Pan

Lo Pan (no hyphen, it does make a difference) showed up on the Bandcamp Daily in a tag-hopping post. Their album Midgar takes seven tracks from the soundtrack to the video game Final Fantasy VII and reworks them as retro-futuristic synthpop. FFVII holds a special place in my heart as the only video game I ever beat. That means its soundtrack holds a special place in my brain, what with having listened to it for something more than 100 hours of game play. And on Midgar, it sounds better than ever.

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Aeon Winds

Is blackened prog a thing? On Stormveiled (a title that brings Stardust‘s Stormhold and inexplicably Tad Williams’ Memory Sorrow Thorn books) that’s what Aeon Winds sounds like to me. It’s a surprisingly successful combination, since neither of those genres usually rise to the top of my list. The first time I heard it, I meant to listen to one track just to check it out. Then I forgot to stop and finished the whole thing, the way I do with a really good book. It’s not just the title of Stormveiled that leads my mind to scifi places. I mean, a lot of metal has a scifi theme, but this album feels like reading high fantasy. And coming from me, that is high praise.

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Yellow Eyes

Rare Field Ceiling, the newest album from Yellow Eyes, is black metal. I usually only like black metal when it is either blended with something else or extremely atmospheric. Yellow Eyes is neither of these things, but Rare Field Ceiling got its hooks into me anyway. Yellow Eyes is based in Brooklyn but they are known for incorporating field recordings of chimes, dogs, and choirs from Siberia. That is my kind of thing, but it’s not what grabbed me about this album. Rare Field Ceiling is that rare thing in black metal – an engaging album with interesting riffs and dynamics that never stray into monotony.

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lakis tsirkinidis

I would never have discovered lakis tsirkinidis without a tag-hopping post on the Bandcamp Daily. “Electronic demos from Greece” is not a regular search term for me. But there are so many things I love about Eleusis.

A Greek electronica artist would seem to have no connection to me. But I feel strangely connected to this one, a left-handed hematologist who was born four days after me. We nearly share a birthday, and I’m left-handed, and I worked in science while loving the arts.

But mostly I love the music. Especially the track Mt. Sinai, where the synth sounds like banjo. But that track and the others have so much structure and interest, especially compared to the endless repetitions of most electronica. Every one feels like an emotional journey.

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3TEETH

I hardly ever listen to industrial music anymore, but it was my go-to heavy music throughout much of the 90s when metal seemed to have died. Nowadays, industrial is the genre wallowing at its nadir, but there are still some interesting projects to be found. One of these is 3TEETH. They have a Bandcamp page, but the album that I discovered, Metawar, was released by Century Media, so it isn’t posted there. Here’s a video off that album instead:

And just for fun, here is their cover of “Pumped Up Kicks,” which I might actually like better than the original.

ByGD

Music I Like – Dark Moods

Collage of album covers by bands in this post

Before I ever heard heavy metal, I was drawn to the darkest, moodiest things I heard on Top 40 radio. In the 80s, that meant the odd Peter Murphy or Cure single. But in the age of the internet, I can find entire genres. I’ve mostly outgrown depressive pop, but some days, especially in the fall, you just want dark without the heavy. Darkwave, Goth, or whatever you call it, sometimes you just want to listen to something dark, romantic, and moody.

Fee Lion

Blood Sisters by Fee Lion definitely fits that rainy day-too much coffee vibe and they prove it’s possible to be spooky and danceable at the same time.

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Jakuzi

Turkey has a lot to be depressed about these days, but that’s not the inspiration for Hata Payı (meaning literally ‘’a part of the mistake”) by Istanbul’s Jakuzi. This is exactly the sound craved by my moody adolescent (and sometimes middle-aged) self.

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Sannhet

It’s only two tracks, but the eleven and a half minutes of Short Life leave me longing for more Sannhet. And would you look at that cover?

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Life on Venus

Thanks to a Bandcamp Daily post, I recently discovered that I like Russian shoegaze. “Hovering in the middle ground between shoegaze and goth” is Life on Venus. Their latest album, Departure, is just dark enough, with a veil of nostalgia perfect for cloudy fall days.

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OGRE

Of all the post categories on the Bandcamp Daily, I think the one that feeds me the most new music is Bandcamp Navigator’s tag-hopping. I’m beginning to suspect that they listen to a lot of bands for each tag they select, because the choices are too good. One of these unexpected discoveries was the electronic OGRE, whose #DungeonsandDragons tagged I: Lords of the Black Citadel was the third band I liked in the journey from Southern Gospel to Wizard Disco. Black citadel certainly does sound like the soundtrack to a spooky dungeon adventure. Which is a mood I have, sometimes.

ByGD

Music I Like – Women of Hip Hop

I hardly ever write about hip hop because I can’t listen to it most of the time. Rap is too verbal for me to listen to when I’m working. I end up transcribing lyrics into whatever I’m writing. But I do like rap, and it’s often on in my house after-hours. My husband is into it more than I am, and I usually end up listening to whatever he’s into. But sometimes I discover new hip hop on my own, and when I do, the rappers are usually women.

Missy Elliott

I think Missy Elliott was the first woman rapper I ever heard (not counting Lauryn Hill, who transcends genre). I had just moved into a house with cable and had access to MTV for the first and only time in my life. “Get Your Freak On” and “One Minute Man” were on high rotation. At the time, I said I didn’t like it. But there was something about it that I couldn’t tune out, and even at the time I had to admit no one else sounded like her. What a happy coincidence that she dropped comeback EP Iconology just as I was working on this post.

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Eve

Like most people at the turn of the century, I dug No Doubt. So although I don’t really remember, I’m pretty sure that the Eve/Gwen Stefani collab video “Let Me Blow Ya Mind” introduced me to Eve. In any case, I bought Eve’s CD Scorpion, and listened the hell out of it. I still love every track on Scorpion.

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THEE Satisfaction

THEE Satisfaction was the first concert I ever took my girls to see. Cat and Stas performed a Saturday morning family show in the basement of some community center/town hall kind of venue. But don’t let the context fool you. These queens know their business and while they were together made the most avant garde hip hop inflected by ’60’s girl group harmonies. I couldn’t have asked for a better introduction for my little girls to live music. Their last album was Earthee, but the one that got the most play at my house was AwE NaturalE.

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Reykjavíkurdætur

I discovered Reykjavíkurdætur (Daughters of Reykjavik) at the heavy metal festival Eistnaflug in 2014. At that time they were a loose collective of basically every woman in the Reykjavik area who wanted to make rap music. I think something like 18 of them were on stage the day I saw them. They drew a crowd at a heavy metal festival in the middle of the afternoon.

It was the first time I heard rap in Icelandic, and even without understanding the words, I could tell from audience reaction that what they were saying was good, and funny, and a little bit shocking. How do you shock notoriously down-to-earth Icelanders? Rap about anal sex is apparently one way.

Among those on stage, there were at least a dozen different rapping styles – many of them directly traceable to well-known American acts – and a wide range of skill levels. They didn’t have a cohesive look or sound. Everyone was just there supporting each other in doing their own thing, and there were enough of them to bypass the entire male-dominated hip hop scene in Iceland and create their own. Many of the women I saw that day have gone on to form their own groups or record solo albums.

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The Sorority

I discovered The Sorority through a track on Snotty Nose Rez KidsTrapline. Like Reykjavíkurdætur, they are a collective of rappers with very distinctive styles and listening to them together is the aural equivalent of a good jambalaya.

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Sonita

I discovered Sonita while exploring the music of MIYAVI. Aesthetics aside, protest songs about child marriage and refugee rights rapped by a woman from Afghanistan would be music I like. But Sonita sounds pretty good, too.

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Rapsody

I’m embarrassed to admit that I lost track of Eve after Scorpion. But when I saw Rapsody‘s new album Eve in a Brooklyn Vegan essential release list, I wondered if the title was a nod to the rapper or the Biblical character. So I gave it a listen. Soundwise, she reminds me most of Lauryn Hill (who should also have been on this list but it’s getting mighty long). Hill’s music is perhaps more interesting, although Rapsody’s use of Peter Gabriel samples is priceless. But they have a similar cadence, and both of them are all about the message. These are women with something to say, and we would all be wise to listen.