Category Archive Music I Like

ByGD

Music I Like From Hong Kong

For me, checking out local music is as much a part of preparing for a trip as reading Lonely Planet guides. Since my family is headed to Hong Kong in November, I have been keeping my ears peeled for music from Hong Kong. Bandcamp pickings are a little slim. By that I mean #hongkong is not a very active tag, not that the music is bad. But I still found a few things I like.

Herman Wong

I discovered Herman Wong ( 黃瑋中) in a tag-hopping Bandcamp Daily blog post. His album Let’s Be Real? caught my attention for a couple of reasons. One is that it’s guitar focused, and compared to the 90’s Cantopop I mostly associate with Hong Kong, it’s really mellow and pretty. That might be partly due to the fact that Wong sings in Mandarin instead of Cantonese. I was suspicious of the #Mandopop label at first, but thanks to Duo Lingo, I could pick out the word “gao xing” in the lyrics.

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Gong Gong Gong 工工工

Technically, Gong Gong Gong is a Beijing band. But one of the members of the guitar and bass duo is from Hong Kong. They cite inspirations ranging from Bo Diddley to Cantonese opera, West African desert blues, drone, and electronic music and the result on Phantom Rhythm 幽靈節奏 (幽霊リズム) is as weird as that sounds.

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tfvsjs

Don’t ask me how you’re supposed to pronounce tfvsjs, but their album is called zoi 在. I almost didn’t include tfvsjs because the first track on zoi appears to be 4 minutes of silence. Suspecting a failed upload, I almost moved on, but I tried another track and I’m glad I did. This is some seriously noodly, mathy guitar wrapped around Cantonese melodies that makes me feel like a cat chasing a laser pointer.

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Vanity Alive

I was starting to wonder, but then I found Samsara by Vanity Alive. There is heavy metal in Hong Kong. As you may have guessed from the title, Samsara has yogic themes. Less obviously, it’s filled with meaty riffs and the only words are in the titles. Language is no barrier when there are no lyrics.

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The Ancient Mental

The Ancient Mental is a little more djenty than I usually listen to, but I listened to their album Philomath and I liked it. I think it’s because there is also something vaguely classical about the guitar to my ear. (I also loved the subtley punny name.) Speaking of names, their most recent release is a single called Vanity of Vanities. I wonder what it means that Hong Kong metalheads are so focused on ‘vanity.’

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Noughts and Exes

And now for something completely different. The first song by Noughts and Exes that came up was “Heart” off of their self-titled album. How appropriate, because they could easily be mistaken for Seattle’s The Head and the Heart. I love that kind of straight-forward, emotional, folk with big harmonies.

If everything goes to plan, this post will publish on my first full day in Hong Kong. And I hope it feels as welcoming as Noughts and Exes.

ByGD

Music I Like – Death Metal Mold

It’s supposed to be a compliment when someone say’s “They broke the mold with that one.” It implies that no one else will ever be quite like it. But the truth is, most of the time, we’d rather hang on to the mold and keep making more things like the first one. Death metal (and near-identical twin, blackened death) is one of those things. A good death metal band can not be distinguished from other good death metal bands using words. They are all born from the same mold. But the ear can hear differences within the formula that make some stand above the others. Here a few albums in the death metal mold that I like.

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ByGD

Music I Like – Serendipitous Finds

I subscribe to a bunch of music blogs, and systematically listen to their recommendations throughout the day while I work. This practice introduces me to so much new music I like that sometimes I feel like I never get to listen to stuff I like more than once. But sometimes I find new music in other, more serendipitous ways. Here are some of the discoveries that the universe just delivered to me.

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ByGD

Music I Like – From Iceland

At times this blog has mostly been about Iceland, but external pressures and new obsessions have led my attention astray lately. I even missed the Reykjavik Calling concert this year when it landed on the same day as my opera tickets. While I blinked, my favorite frozen rock in the North Atlantic didn’t stop putting out great music. Here is some newer music I like from Iceland.

Sólveig Matthildur

I always felt a little guilty that I couldn’t get into Kælan Mikla. But when I heard Constantly in Love, the second solo album by Kælan Mikla keyboardist Sólveig Matthildur, I was instantly pulled in to the dark electronic atmosphere.

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Misþyrming

I’ve always been more of a death metal girl, and I cam to the black metal party very late, via Iceland. The first black metal bands I ever liked were Svartidaudi and the band that came to be known as Zhrine. Since then, Icelandic black metal has continued to be my favorite flavor. Misþyrming is one of the best of the bunch, in my opinion and I think in everyone else’s.

On first listen, Algleymi didn’t grab me by the throat the way earlier releases did. I was initially put off by the fuzzier production – more kvlt, but I like cleaner recordings, even when the music is distorted. Then the vocals on third track evoked old Ministry and I got over it. Then the guitars went all Ennio Morricone on track four, and after that resistance was futile.

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Kronos Quartet & múm

I’ve been into múm for a very long time, but I’ve never paid Kronos Quartet the attention they deserve, and I ignore splits as a general rule (it’s just one way I try to filter the flood of new music). That’s going to have to stop now that I’ve heard this split in which Kronos Quartet rework múm’s “Smell Memory” on one track and múm remaster the song on the other.

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Kælan Mikla

Okay, I lied. When I first heard Kælan Mikla at Eistnaflug in 2014, they weren’t really my jam. But after I heard Solveig’s solo stuff, I started thinking about what a new band they were then, and how long they’ve stuck around. I got curious about their new sound, and, um, I liked it. They have evolved a ton from the DIY-sounding punks I saw. Nótt eftir nótt is so sophisticated and lush, I wouldn’t have recognized the band at all. Kælan Mikla have really grown up.

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Marína Ósk

I’m breaking my “no singles” rule again here, but I don’t think Marína Ósk even has an album out. {Update: She does. It’s called Athvarf and it’s on Spotify.} Reykjavik Grapevine listed the lyric video for “Ég sit hér í grasinu” (which I’m guessing is a lengthy cognate, “I sit here in the grass”) as an asset for language students. They were mostly joking, of course, but this video reminded me how much I love the sound of Icelandic, and made we want to renew my attempts to learn more of it. And it brought back that old fernweh feeling.