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Off Venue

The first time I went to the Eistnaflug music festival in East Iceland, the main stage was was in the town’s only music venue, and the “off venue” was an abandoned fish factory on the waterfront powered by extension cords. The next time I made it to Eistnaflug, the festival had grown a lot, and the main stage had been moved to the high school gym – the only building in town big enough to hold all the ticket-holders. The old venue was now the second stage, and the old fish factory had been torn down.

But there was still an off-venue stage. It was this platform set up in a gravel parking lot. There was no schedule and I never found out who any of the bands were that played it. With a hill behind and the fjord in front, I never really heard what they sounded like either. But it perfectly captures the Icelandic “Yeah, obstacles. Whatever, just do it,” approach.

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Frederick Ballentine in Recital at Seattle Opera

This year, for the first time since I aged out of the Bravo Club, I bought season tickets to the opera. The season is one unlike any other ever programmed by Seattle Opera – or any other opera company for that matter. Seattle Opera’s Fall 2020 season is entirely online. It kicked off with a semi-staged performance of Cavalleria rusticana highlights (available online by subscription through October 16). Last weekend they posted the second event, a recital by Frederick Ballentine.

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Esa in Iceland

Amorphis is from Finland, but they are partly responsible for my obsession with Iceland. That’s because I got super into their music, which at the time drew on the Kalevala for lyrical content. Being me, I had to read the Kalevala. Once I read the Kalevala, the Eddas and the Icelandic sagas were an inevitable next step, and the rest, as they say, is history.

I dreamed of seeing them play in Iceland. Despite the geographic proximity of Finland and Iceland, Amorphis had never, in their 20+ year history, played that country. Until Eistnaflug 2016. Well, I flew to LA to see them once. This one was a no-brainer. I wanted to go to Eistnaflug anyway.

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Cavalleria Rusticana Highlights

After missing most of Seattle Opera’s online programming this summer, I bought season tickets to make sure I don’t miss out this fall. Even though the season only runs through the end of the year, it contains more opera than a regular full season. Only it’s all online. The first “performance” was a highlights recital of Cavalleria rusticana. Based on the plot summary, I had my doubts about Cavalleria rusticana, but I know that beautiful music and the pageantry of live performances matter more than plot in opera. But how would it hold up without the spectacle of live performance?

CAVALLERIA RUSTICANA Photos copyright Thilo Beu, THEATER BONN. c/o Seattle Opera
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