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Pacific Northwest Ballet’s Plot Points

Rep 4 of Pacific Northwest Ballet’s 2021-2022 season is Plot Points, a mixed rep program of four pieces that play with the concept of storytelling. I’m a little late to the party because I attended on the second weekend. There’s a world premiere and a PNB premiere by choreographers who are already well-loved by PNB audiences. The (almost) title piece, Plot Point, is already an audience favorite.

Pacific Northwest Ballet company dancers in Crystal Pite’s Plot Point. Photo © Angela Sterling. c/o PNB
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Country Road

It’s not exactly West Virginia. But it’s a mood, if you go your own way.

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Hellnar

Hellnar, it’s not bad.

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Don’t Be Afraid of the Blue Opera

Kenneth Kellogg as The Father. Photo credit: Sunny Martini. c/o Seattle Opera

I have a confession to make. I was a little bit afraid to watch “Blue” at Seattle Opera. Often described as “the race opera,” “Blue” tells the story of a Harlem family losing their son to police violence. It sounded pretty heavy during a time when the more escapist aspect of opera has a lot of appeal. But I know that the ability to tune out racial violence is a privilege, so I went anyway. And there was nothing to be afraid of.

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In a Nutshell

They call the Snaefellsnes peninsula “Iceland in a Nutshell” because it contains all the different environments that can be found in the country. This farm is Snaefellsnes in a nutshell. In the frame, snowy mountains and grassy fields. Behind the photographer, lava rock and a black sand beach.