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Perpetual State of Director’s Choice at PNB

Pacific Northwest Ballet principal dancer Jerome Tisserand and soloist Leta Biasucci, with company dancers in the world premiere of Ezra Thomson’s The Perpetual State, which PNB is presenting as part of DIRECTOR’S CHOICE, March 16 – 25, 2018. Photo © Angela Sterling.

PNB’s Jerome Tisserand and Leta Biasucci in Perpetual State. Photo © Angela Sterling.

Every year, Director’s Choice is my favorite rep at Pacific Northwest Ballet, but this year, Peter Boal knocked it out of the park with his selections. I’ve described Director’s Choice as omakase in the past. Boal himself says he chooses pieces he “wants audiences to understand are worth their attention and exploration.” He has also said that this year, a theme emerged after he chose the four pieces: each piece was choreographed by a dancer who was “given a chance” by their ballet director. The first piece of Director’s Choice, appropriately, was choreographed by one of PNB’s own dancers, Ezra Thomson. Read More

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Music I Liked – Midcentury Modern and Industrial Violin

man playing piano

Photo source: Gratisography

Last week was so much music. I discovered an Icelandic neoclassical composer – too late. My daughter’s orchestra had its winter performance. I attended Seattle Symphony Untuxed where I was exposed to midcentury modern music of the orchestral variety that still raises eyebrows today. Then electric violin and industrial soundscapes blew my mind at Pacific Northwest Ballet’s Director’s Choice. Through the week, a few themes emerged.

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Cherry Blossoms

cherry tree in bloom

Perhaps in Europe the rose has more cultural significance, but here in the Pacific Northwest, as in Japan, roses take a back seat to cherry blossoms. Just on my two-block-long street, there are so many varieties that you can tell the date between February and June by which ones are in bloom. Some are so ethereal and pale, like lace. Some are dense pink pom poms. A few are almost completely white and one is almost dark enough to call red. The flowers on my fruiting cherry tree are not the most remarkable, but they do mark the end of the season. I’m not in a hurry for my own tree to blossom. I’ll enjoy marking the time as the others bloom up and down the street.

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Friday Preview of Director’s Choice at Pacific Northwest Ballet

PNB dancers Lindsi Dec and Jerome Tisserand in Red Angels, 2018. Photo © Angela Sterling.

Last Friday, I got to watch a professional ballet rehearsal through PNB’s Friday Previews program. I’m not sure whether the assortment of peripheral ballet experiences has expanded in recent years, or if it’s only my awareness of them. For ages, I religiously attended every Pacific Northwest Ballet rep while studiously avoiding any activities that might increase my knowledge and understanding of ballet. It was some kind of misguided hippie idea about pure experience or something, I don’t know. So I don’t know when Pacific Northwest Ballet started selling tickets to rehearsals, but I’m so glad they did. Last Friday, I attended a Friday Preview of Director’s Choice, and from now on, attending ballet rehearsal is going to be part of my experience of every production. Read More

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Constituting Tribunals – Constitution Article 1 §8.9

ConstitutionThis week I’m studying Article 1 §8.9 of the Constitution. It’s about Congress’ power to constitute tribunals.

In the wonderful anime Kino’s Journey, a character wanders into a country where people live in peace and freedom and are welcoming to newcomers. His companion says it seems like a perfectly normal place. He replies, “A lot of people have to work very hard to make a place normal.”

Democracy is not for spectators; it takes a lot of work from a lot of people. To do it right, you have to know the rules. That’s why I’m studying the Constitution, one clause at a time. I’m up to Article 1 §8.9. Read More